Monthly Archives: March 2017

Inside the third person

My own habit when I write even the more academic of my books is to freely use the first person: “I want to argue…”. Of course I’m still trying to put forward a case that has wider significance than just for me, but the use of the first person seems a vital aspect of honesty in argument – to show that it’s me arguing from my perspective, and I’m not pretending to be God. The I is a provisionality marker. So it sometimes comes as a shock when I realise just how much insistence on the use of the third person there is in many corners of schools, colleges and universities – particularly in the sciences, both natural and social, and for some reason also in history. Sometimes that just means lots of impersonal constructions like “it is argued that…” or “this evidence shows that…”, but when helping someone with the proof-reading of their dissertation recently I found that they referred to themselves throughout as “the researcher”. This degree of third person pretence seems very jarring to me, and the reasons I reject it have a lot to do with the Middle Way view of objectivity I want to Thinking girl CCpromote.

The reason that many teachers and academics drill their students to write in the third person are all to do with “objectivity”. The idea is that when you write in the third person, you leave yourself out of it. You’re no longer dealing with the “subjective” experiences of your own life, but with general facts that can be supported with evidence. Now, as an experienced teacher, I’d agree with the intention behind this – students do need to learn how to justify their beliefs with reference to evidence or other reasons, and learning to do this is one of the benefits of education. But I’m also convince that this is the wrong way of going about it. Whether or not you use the third person doesn’t make the slightest difference to whether or not you use evidence to support your claims and argue your case critically – but it does reinforce the apparently almost universal human obsession with the idea that you have ‘the facts’, or ‘the truth’ – an implicitly absolute status for your claims. If you really believe that you have ‘the facts’, then the evidence is just a convenient way of getting others to accept the same ‘facts’ that you believe in, not a source of any possible change of view. The ontological obsession hasn’t just emerged from nowhere, but is fuelled by centuries of post-enlightenment linguistic tradition.

Far better, I would argue, to use the first person to own what we say, in the sense of admitting that it’s us, these fallible flesh-and-blood creatures, who are saying it. Then the objective is objective because we have argued it as objectively as we can, not because we are implicitly pretending to view it from a God’s eye view. If we really recognise that objectivity is a matter of degree and depends on us and our judgements, then it is not enough to merely protest that we don’t really mean it when we use ‘factual’ language that habitually bears an absolute interpretation. If we are to bear in mind the limitations of our perspective in practice, we need to constantly remind ourselves of those limitations. The use of the first person offers such a reminder.

Objectivity depends not on ruling ourselves out of our thinking so as to arrive at pure ‘facts’, but rather on acknowledging our role in reaching our beliefs. Recognition of evidence of the conditions around us needs to be combined with a balancing recognition of the limitations with which we are able to interpret such evidence. Neither idealism nor realism, neither mind nor body, neither naturalism nor supernaturalism: but a recognition that none of these categories are ‘factual’ – rather they are absolutizing limitations on our thinking. If we are to take the Middle Way as the basis of objectivity, we need to stop falsely trying to rule ourselves out of the language with which we justify our beliefs.

I’ve spent enough time in schools and universities to know that academic habits are not easily reformed, and that we will probably be stuck with these third person insistences and their cultural effects for some time to come. No teacher will want to disadvantage their students in an exam by teaching them to use the first person if they know that the students will lose marks if they do so. But please let’s not use or spread this unhelpful custom needlessly, and let’s take every opportunity to challenge it. To use the first person to refer to our beliefs is to connect them to our bodies and their meanings and perspectives – which is one of the prime things we need to be doing to challenge the deluded absolutised and disembodied interpretations of the world that are still far too common.

 

Rethinking saintly miracles

Though I’m now trying to give up the common practice of using ‘myth’ to mean falsity, I must also confess to having long used the term ‘hagiography’ (which means the written life of a saint) pejoratively, to mean a one-sided adulatory biography. Both these usages, though, tend to reduce meaningful symbolic material to claims about facts, when their chief significance doesn’t consist in anything of that kind.

Recently I’ve been rethinking my assumptions about hagiography when reading the Life of St. Cuthbert by the Venerable Bede. Cuthbert was an Anglo-Saxon saint from Northumbria in north east England, closely associated with the holy island of Lindisfarne, and Bede is the scholarly monastic writer of the early eighth century, better known for his ‘Anglo-Saxon Chronicles’, though he wrote in Insular Latin (the weird form of Latin we used to use on these benighted islands). In his youth, though, Bede knew and served Cuthbert. Though he claims to have composed it only on the basis of reliable testimony, Bede’s life of Cuthbert is just one damned miracle after another. He cures the sick all over the place. An eagle brings him food in the wilderness. His incorruptible corpse cures the sick too. And when ravens steal straw from the roof of his island hermitage, he banishes them until they come back and apologise, with “feathers outspread and wings bowed low”. What are we to make of all this?Cuthbert praying

For me this is another opportunity to apply the thinking I’ve been developing in my book The Christian Middle Way (which I’ve drafted and am now hawking around publishers), where I thought about the interpretation of Jesus’ miracles in the New Testament. As regards factual claims about miracles, I’ve long accepted Hume’s argument that accounts of miracles are more likely to be mistaken than otherwise, given that our other experience shows them to be extremely unlikely. Though the probabilities are against the correctness of miracles literally interpreted, we really don’t know. We can speculate about what ‘really happened’ and construct alternative explanations, but this is all likely to be a distraction from appreciation of the meaning of the stories about what happened. That meaning does not depend in any way on what ‘really happened’, but is rather a product of the ways in which the stories reflect the archetypal functions of individuals in the context of a particular culture’s interpretation of those archetypes.

St. Cuthbert’s miracles can be more deeply appreciated if one lets go of the factual questions and focuses only on these archetypes. To illustrate this, let’s start with the healing miracles. Here’s a fairly typical example:

One day, as he was going round the diocese giving saving counsel in all the houses and hamlets of the countryside, and laying his hand on the newly baptised so that the grace of the Holy Spirit might come down upon them, he came to the house of a member of the royal bodyguard whose wife lay ill and seemed to be dying. The man ran to meet him, knelt down and thanked God that he had come, brought him into the house, and made him most welcome…. Then the man told him that his wife was desperately ill and begged him to bless some holy water to sprinkle on her. 

‘I am sure,’ he said, ‘God will grant her a speedy recovery, or if she must die, put an end to her long agony and take her without delay.’

Cuthbert had water brought, blessed it, and gave it to a priest to sprinkle over the sick woman. The priest entered her bedroom and found her lying there looking like a corpse. He sprinkled the bed, sprinkled her, opened her mouth, and poured a little of the life-giving draught down her throat. The patient was quite unaware of what was being done, but as soon as the water touched her an astonishing thing happened: she was immediately restored to full health both of body and mind. She came to, blessed and thanked the Lord for deigning to send such guests to cure her, and then, rising from her bed, ministered to those who had just ministered to her, the patient tending the physicians. (ch.29)

Let’s first note the context in which the healing took place. Cuthbert is laying hands on people to give them the grace of the Holy Spirit. The ‘Holy Spirit’ has become such a stock phrase in Christianity that it might seem almost meaningless, a dead concept, but the live meaning of it in experience is probably more about people recognising new possibilities and extending their awareness in ways that also lift up and broaden their emotions, symbolically related to the confidence expressed in the baptism ceremony. Cuthbert is making people aware of the possibility of new integration.

Note then also that when Cuthbert comes to the dying woman, he does not claim to have power over her illness. It is God who kills or cures, not him. ‘God’ here is also a way of talking about the conditions and reconciling people to them. If the woman had died we would presumably not have heard about this miracle, so the story of her recovery may just reflect confirmation bias, coincidence, selective interpretation and the placebo effect: but in the context, Cuthbert focuses our attention on acceptance of the outcome, helping people to adapt to the conditions, whatever they turn out to be.

In that context, like any other healer, he also demonstrates compassion. This compassion is inevitably selective, because he is human and cannot heal everyone. The story thus does not tell us about God’s justice, but rather helps to reconcile us to his selectiveness. Some will live and others die, and the causes of them doing so are very complex and beyond full human understanding. Yet at the same time an intervention that offers renewed confidence for the suffering person may produce a breakthrough, which can then be recorded and inspire others to similar confidence and openness to integration.

Finally, there is also the actions of the woman after her miraculous recovery. Again, this should probably not be taken literally, as in that case it might seem both medically questionable (she would need time to recuperate) and patriarchal (her service to men couldn’t even be interrupted by near-death!). What I find striking about it is the way it deliberately challenges our expectations. Who is sick and who is well? We attach these labels to people, but the conditions are often more complex. Those who have been ill often remark on this problem: that others don’t know quite how to treat them and are unsure about what they can or cannot be reasonably asked to do. They are shoved either into the indulgent category of convalescent or the negative one of malingerer, because we have trouble with coming to terms with the incrementality of health and have to turn it into black and white terms. Miraculous healing makes all things possible, and its function is to make us aware and appreciative of what is possible, and the ways we might be otherwise constrained by our expectations.

Just as in the life of Jesus, so in Cuthbert there are both ‘healing miracles’ and ‘nature miracles’ in which the saint is depicted as being able to participate in God’s control over nature. The following story can illustrate this other type of miracle, and again it is important to quote some of the context.

Not only the inhabitants of the air and ocean but the sea itself… showed respect for the venerable old man. No wonder: it is hardly strange that the rest of creation should obey the wishes and commands of a man who has dedicated himself with complete sincerity to the Lord’s service. We, on the other hand, often lose that dominion over creation which is ours by right through neglecting to serve its Creator. The very sea, I say, was quick to lend him aid when he needed it.

He set about constructing within the walls of his dwelling a small shed which should be big enough for his day to day requirements. It was to be built towards the sea with the floor over a long deep cleft hollowed out by the constant action of the waves. It was to be twelve feet long, for that was the length of the cleft, so he asked the monks to bring him some planks of that length for floorboards the next time they came. They willingly agreed, received his blessing, went off home and forgot all about it. Back they came on the appointed day but without the wood. He gave them a very warm welcome, commending them to god with the usual prayer, then asked ‘Where is the wood?’ Then they remembered. They confessed they had forgotten and asked him to pardon their negligence. The kindly old man soothed their anxiety with a gentle word and bade them stay till next morning: ‘For I do not believe God will forget my wish’. They complied with his request. The following morning when they went out there was a piece of wood of the correct length thrown up by the tide right under the site of the shed. They marvelled at the sanctity of a man whom the very elements obeyed, and blushed with shame at their own slackness in needing to be reminded by inanimate nature what obedience is due to saints. (ch. 21)

‘Coincidence’, I think, as you probably do too. But we don’t know whether or not it should be rightly described in such a way. What the story records, however, is the meaning of these events for the participants. The monks interpreted the driftwood as a divine rebuke because they were ashamed of their negligence, so for them it served the purpose of symbolising their limited awareness and its consequences, regardless of whether or not the driftwood was the result of supernatural intervention. Cuthbert, however, did not offer such a rebuke but responded kindly, presumably in awareness that the monks’ integration (and thus their remembrance of others’ needs in future) would be better supported by such kindness.

Where Bede sees creation as serving the servant of God, we can see a person who is integrated enough to have fully adapted to his environment, recognising both what he can and cannot do in it. He can make use of one piece of driftwood, but since he asked for ‘planks’ he presumably still needs more than this for his building project. He accepts those conditions that he has no power over, but makes the most of those that he can affect. He is emotionally as well as cognitively adapted, not just resourceful but also flexible in his expectations. Read helpfully, then, this story is not about power over nature at all, but about the balanced acceptance of our lack of power. Our ‘dominion over nature’ is only ours by right when we serve its creator: meaning that we only get what we want by recognising the full extent of the contrary conditions. Today, the belief in ‘dominion over nature’ has been blamed by thinkers like Peter Singer for the attitudes that created anthropogenic climate change, but if that belief had been better tempered by awareness and respect for conditions we would have been much readier to accept our role and its effects at an earlier stage when we could do more to prevent it.

So, miracle stories, read carefully with an eye for their meaning in context, can offer us inspiration rather than falsehood. I am not suggesting that this is what they ‘really mean’: rather that we can usefully choose to interpret them in this way – the Middle Way that avoids the reductions of presumed truth or falsehood. Hagiography of a more traditional kind thus takes on a new meaning. However little I learnt about the faults and shadows of the historical Cuthbert from Bede’s biography, I at least found some inspiring reminders of the meaningful wisdom of the past. I don’t take that as a justification for writing such hagiographies today, because it is more important for us to develop balanced beliefs about more recent lives. But Cuthbert for me, and probably for you, is much more of an archetype than a historical figure. The Anglo-Saxon world offers a distance that makes such symbolic power possible.

Picture: St Cuthbert Praying from Bede’s manuscript: British Library Yates Thompson MS 26. Reproduced for comment under fair use terms.

Quotations from Bede’s Life of Cuthbert come from ‘The Age of Bede’ trans J.F. Webb, pub. Penguin Classics. Reproduced for comment under fair use terms.

Links to some related posts:

Podcast discussion of faith

Franciscan Saintliness

Video: separating absolute belief from archetypal meaning

Audio talks on archetypes (scroll down)

The MWS Podcast 115: Ellen Bialystok on Bilingualism and the Middle Way

We are joined today by Ellen Bialystok, a Canadian psychologist and professor who is one of the world’s leading experts on bilingualism and the advantages it brings and this will be the topic of our conversation.



MWS Podcast 115: Ellen Bialystok as audio only:
Download audio: MWS_Podcast_115_Ellen_Bialystok
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Meditation 15: What if I’m doing it wrong?

Image of a sitting frogHave you ever thought ‘What if I’m doing it wrong?’ We’ve all had that feeling when learning something new. This is no less true when the new activity is meditation. We may have reached a point where externally everything is polished – we’ve ‘found our seat’ and can meditate comfortably for as long as we would like to – but then another level of difficulty opens up because we are more sensitive to what’s happening ‘inside’.

If that new practice is one of the more open styles of meditation, such as ‘just sitting’ or recollective awareness meditation, there are not the usual meditation instructions to fall back on. It is much more likely that a novice will be worrying, ‘What if I’m doing it wrong?’ when there is a fundamental lack of specific guidance on what it means to be doing it right. When I think I’m doing it wrong, then I’ve assumed that there are certain desirable results (meditative attainments) that are supposed to come from doing it right. By doing it wrong, I worry that I will be denied these results. Is it at all helpful for me to be concerned about this? Have I completely missed the point? Or maybe there is no point – in which case, why am I even doing this?

As I understand it, in the traditional schools of Buddhist meditation one’s progress along the path is marked by meditative attainment, which is typically a matter that is kept between you and your teacher, someone more accomplished and better integrated than yourself. However, Jason Siff writes (in Thoughts are Not the Enemy, Shambhala 2014, p179), ‘I believe attainments are unnecessary concepts. They can easily derail a well-functioning spiritual path and turn it into a dysfunctional nightmare. … Some attainments may be real. Now, when that is the case, there is no advantage to making it known. Someone who really has succeeded in diminishing the force of her desires and ill will, and has substantially reduced her self-importance and pride, would be content being a nobody’.

People, myself included, first come to meditation with the expectation that their hard work will be rewarded. It’s part of our culture in the Western world, where the Protestant work ethic is alive and well despite increasing secularism. New meditators will also expect their time to be productive – even their leisure time: ‘work hard and play hard’. We can’t help but bring our cultural conditioning to new activities, meditation too, and probably without even consciously thinking about it we believe that doing it right will ensure a more efficient path to being productive. But productive of what?

The recent presence of mindfulness in the media, coming mainly from the growth of mindfulness based stress reduction programmes, means that it would be easy for those running meditation groups to sell meditation to newcomers as simply a method for solving problems – to cure whatever ails you. Stephen Batchelor (in After Buddhism, Yale University Press, 2016) points out that ‘…treating meditation as a technique for solving the problem of human suffering, however, is nothing new. Buddhism itself has frequently lapsed into this way of thinking and, in some schools, uncritically endorses such an approach. … This is no different from a sales pitch for an effective diet: if you follow this regime for X amount of time, it is certain that you will lose X amount of weight.’

The beginning meditator will look to veterans for reassurance that they’re doing it right, and that doing it right does have some positive benefits. We are, like it or not, driven by goals. However, there is the possibility that a well-practiced meditator has completely missed the point. Despite their accomplishments in certain meditative techniques they may have failed to have become a more integrated person, or, more generously, their integration may be radically asymmetrical with their desires well integrated, but their beliefs are poorly integrated as they are still operating under the assumptions of ideological dogma.

What light can recent developments in psychology shed on this topic? Conceptualising meditation in our minds as a task to be done correctly is a very heavily left hemisphere dominated approach: understandable in our current culture, but not a sign of good integration between the narrowly-focussed task-oriented language-producing aspects of our minds and the complementary widely aware integrating nonverbal aspects. Iain McGilchrist’s thesis (in The Master and His Emissary, Yale University Press, 2012) is that our current Western culture is the product of our left hemispheres pretty much going it alone (in his analogy, the Emissary has usurped the Master), and, if there is any hope of saving our sick society, it will involve a reintegration of the left and right hemisphere modes of being in the world, where the task-oriented narrow-focus modes of our left hemispheres are integrated by the wider awareness and more fluid modes of our right hemispheres.

I appreciate this from personal experience as much as anyone. I’ve read enough books, listened to enough podcasts, watched enough videos and conversed with enough people. Which of these authorities am I hoping will be able to reassure me that I’m doing it right? As is often the case, there are about as many different opinions as there are people expressing them, and without some kind of absolute conviction that one of them is The Truth there’s a danger of flipping to the other extreme (of relativism) and assuming that all of these different methods are equally useful to me.

What I’ve found so far in my practice of meditation (which most commonly involves sitting quietly, with the intention to meditate) is that however much I want do it right, in fact I can’t do it wrong. Whatever progress occurs, it is arrived at indirectly, and if I assume I know what my so-called correct technique is aiming to achieve then I’m fundamentally limited by those assumptions. By sitting quietly and treating my thoughts kindly – not cutting them off or drowning them out – the noisy, narrowly focussed left hemisphere has a chance to settle of its own accord, and then the right hemisphere’s openness to new experience can make itself known. It isn’t a battle to subjugate the left hemisphere (that’s the sort of plan-driven technique that the solo left hemisphere would derive) but a space in which the right hemisphere can integrate with the left within its wider awareness.

To conclude, a quote and more questions. In After Buddhism, Stephen Batchelor suggests that ‘…meditation is more usefully compared to the ongoing practice of an art than the development of a technical ability.’ Still, when cultivating an artistic meditative practice, people can also worry about doing it wrong, however cultivating a sensibility is a very different thing to drilling the correct practice of a technique. Is there some way of adapting the reassuring but dangerous phrase ‘you can’t do it wrong’ so that it reflects this view of it being the cultivation of an art rather than the execution of a technique?

 

Link to a list of previous blogs on meditation