We are joined today by Igor Grossmann, who is an Assistant Professor of Psychology and the Director of the Wisdom and Research Lab based at the University of Waterloo in Ontario, Canada. His main research interest is the complex processes that enable individuals to think and act wisely. He has also done pioneering work on the development of wisdom in different cultures and was named one of the 2015 Rising Stars in the field of Psychological Science. He recently co-wrote a paper with Alex C. Huynh entitled Emotional Complexity: Clarifying Definitions and Cultural Correlates in which certain common , especially Western assumptions about having ‘mixed feelings’ are challenged.
Cosmopolitanism is the belief that one is a citizen of the world, not just of one particular piece of it that happens to have been sectioned off in a particular fashion by geological movements or medieval bloodshed. Such a position could be over-idealised, but I think it could also be understood as a realistic and balanced position that addresses wider conditions as well as more immediate ones. What’s more, I very much feel we need more cosmopolitan thinking in the UK at the moment, where the media is often consumed in a blaze of narrow arguments about the EU, leading up to the June referendum on membership. Almost all these arguments, even those of the ‘remain’ camp, concentrate overwhelmingly on an assumed national interest. But personally, when I vote on June 23rd, I shall do so not just as a citizen of the UK, but also as a citizen of the EU and of the world.
In this video, Kwame Anthony Appiah (a philosopher working in the US, who is descended from Ghanaian chiefs on one side and Sir Stafford Cripps, UK cabinet minister, on the other) gives a persuasive account of cosmopolitanism and its advantages.
As Appiah explains here, Cosmopolitanism recognises the value both of our commonality with the whole world, and of cultural difference. His most important message is that our moral concern does not and should not end at national borders. Why should it, when national borders are the arbitrary results of geography, past conflict, and absolutised tribal, linguistic or religious difference? Borders of any kind are an attempt to absolutise differences that are merely incremental and that (however strong they may be) in any case do not necessarily require separate political organisation. Borders are also a political reality that we have to adapt to, but hardly one that we should be spending our energy strengthening when there are so many better places to put that energy. As the Pope memorably said recently with reference to Donald Trump’s wall-building aspirations, we should be building bridges, not walls.
As with any ideology, there is a risk that cosmopolitanism could become idealised and absolutised. It could start to ignore the political borders that do operate, and the even more important psychological condition of people’s limited identification. It may well be that the EU has made some misjudgements based on such idealism, particularly its admission of Greece to the Euro without adequate scrutiny of its long-term financial stability. Integration of the world needs to be incremental, and cannot proceed too much in advance of the integration of the individual people who are its citizens. The EU has made some astonishing achievements in integrating Europe both politically and culturally during the past 50 years or so, but it probably needs a period of consolidation now, for the people and their culture and economic life to catch up with it. However, the EU’s mistakes, such as they are, are hardly an argument for reversing many of its achievements by withdrawing one of its most Important states from the union.
If we focus on a recognition of our embodiment and its limitations, that may seem to bring with it a more localised focus, recognising the strengths of our immediate environment and culture. But a localised culture is not necessarily a parochial culture that tries to separate its interests from those further afield. Our embodiment is also a source of universality, as we have pretty much the same basic body and brain structure as all other humans throughout the world. All that we have to do to recognise our cosmopolitanism is to recognise our embodied humanity, and to give it more importance than narrow tribal identity. If you want to look more beyond narrow tribal identity, then look to the influences you expose yourself to. For example, your media sources: populist UK newspapers like the Daily Mail will expose you to the assumptions of narrow tribal identity day after day, and I’m sure there are similar sources in other countries. Don’t assume that such narrow sources won’t have an effect. It will have an effect because you have a body, rather than being a disembodied reason that can consider every issue afresh at every moment.
I do think that cosmopolitanism is an ideological approach that could quite readily be an expression of the Middle Way in most cases, provided we are careful not to absolutise it. For most of us, dogmatic nationalism is a far greater danger in practice than dogmatic internationalism, and cosmopolitanism combines an internationalist outlook with a full respect for cultural difference and localised autonomy. I think it is only through such an outlook that, in the longer-term, it is possible to address the conflicts in the world adequately. I also see the EU, whatever its short-term errors or limitations, as a cosmopolitan institution whose founding principles of internationalism linked with subsidiarity try to follow that balance. So there are not too many prizes for guessing which way I will be voting on 23rd June.
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I’ve always been struck, even haunted, by this painting, as I have by the Annunciation theme in general. It is quite an early Renaissance painting, still showing many of the signs of the transition from statuary to painting in the gilding and the arches.
If we want to find a Middle Way reading of what it might mean to us, we need to first of all put aside any doctrinal associations that may be getting in the way. Yes, the angel is announcing to Mary that, despite being a virgin, she has conceived the son of God. You don’t have to believe that any such thing happened, or that there was a man who was the son of God, or indeed to support the restrictive notions of womanhood implied by the stress on virginity in the Christian tradition. Just put all that stuff aside, look at the painting, and see what experiences it evokes.
What I experience primarily is the sacred otherness of the angel’s message, and Mary’s uncertainty and hesitation before it. The angel seems to be bearing a message for her, as for any viewer, that the potentialities within us are startlingly bigger that we had ever thought. That utter weirdness and difficulty is emphasised by the gold, which puts us in an other-worldly ambience; by the angel’s inhuman wings; by the lilies; and by the dove of the Holy Spirit hovering above them.
Mary is quite right to be hesitant, but at the same time she seems to recognise that this strange event is not a threat. It may be strange and apparently other, but at the same time it needs to be accepted in a wider framework. Perhaps others may read a girlish lack of confidence into Mary’s posture, but I’d rather read a certain provisionality. She’s holding all this weirdness, for the moment, albeit warily. She’s going to see how things turn out.
The whole scene can thus symbolise for us the difficulties of any big new idea or prospect that takes us ‘beyond our comfort zone’, and especially the problems of creativity. Whenever we develop something new there’s an ambiguous Middle Way to be found between a fixed idea of what we want to create and its absolute value on the one hand, and an idea of the many discouraging difficulties, distractions and potential failures on the other that might lead us to feel that the thing we want to create is valueless. Giving birth to the Son of God (before we get into the big question of the significance of ‘Son of God’) is a situation where you can easily imagine both of those extremes presenting themselves to Mary. More traditionally, on the one hand she could feel proud, on the other unworthy. In between there is provisionality, riding the creative wave. And I feel that’s what the artist is trying to depict here.
This week’s guest is the social psychologist and social activist Dr. Melanie Joy. Melanie is perhaps most well known for coining the term Carnism, which she popularized in her book Why We Love Dogs, Eat Pigs and Wear Cows. She’s the founder and president of Beyond Carnism, a charitable organisation which she founded in 2010 and Carnism will be the topic of our discussion today.
