Welcome to The Middle Way Society

The Middle Way Society was founded to promote the study and practice of The Middle Way. The Middle Way is the idea that we make better judgements by avoiding fixed beliefs and being open to practical experience. We challenge unhelpful distinctions between facts and values, reason and emotion, religion and secularism or arts and sciences. Though our name is inspired by some of the insights of the Buddha, we are independent of Buddhism or any other religion. We seek to promote and support integrative practice, overcoming conflict of all kinds.

Patrons: Iain McGilchrist and Stephen Batchelor

The MWS Podcast 126: Stephen Jenkinson on Orphan Wisdom

Community, Meaning, Wisdom

Our guest today is Stephen Jenkinson a Harvard-trained theologian and a teacher, author, storyteller, spiritual activist, farmer and founder of the Orphan Wisdom School, a teaching house and learning house for the skills of deep living and making human culture. Before founding the school, he headed the counsel team of Canada’s largest palliative care program and in 2008 a film ‘Griefwalker was made about his work with the dying and their families and he’s the author of several books including ‘Money and the Soul’s desires’ and ‘Die Wise’ .



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The Exorcist: A Middle Way Interpretation

Books, Christianity, Culture, Fiction, Film, Meaning, Popular Culture, Religion, Science, spirituality, The Arts, , , , , , , , , , , , , ,

Spoiler Alert: This isn’t a synopsis or a review but I will reveal certain, important, plot points.  As such, if you haven’t yet seen it yet – and would like to – you may want to stop reading now. 

Cursed. Obscene. Scary. Nauseating.  Pea Soup.  These are just a selection of words associated with William Friedkin’s 1973 film, The Exorcist (adapted from William Peter Blatty’s novel of the same name).  The Exorcist tells the story of the Exorcism of 12-year-old girl, Regan MacNeil, who has been possessed by a malevolent force.  It is set in affluent 1970’s Georgetown USA, where Regan lives with her atheist mother, who also happens to be a famous actress.

Even in the early 1990’s, when I was at school, this film had a reputation as being the most disgusting and frightening film ever made – which of course meant everybody wanted to see it.  This desire was only intensified by the fact that The Exorcist had been banned in the UK since 1984; a few friends and I even attempted to watch a pirated copy of it on VHS, but our excited anticipation was soon extinguished once we realised that the video quality was so bad as to render further viewing impossible.  In 1998 the British Board of Film Classification (BBFC) lifted the ban, and The Exorcist was released – with much fanfare – in cinemas across the country.  Many of my peers came back with reports of disappointment and boredom.  ‘It’s not scary at all.  I didn’t jump once’ they’d say, or ‘I don’t know what the fuss is about, nothing even happens for most of the film’.  I was worried.  I’d recently read the book and really enjoyed it, but wasn’t sure how it would be translated into the ‘Scariest Film Ever Made’.  Could this really be the same film that had caused people to faint and vomit while watching it?  I knew loads of people who’d seen it the first-time round and refused to even talk about it, let alone watch it again.  Perhaps it hadn’t aged well?

When I did eventually get to see it that I could understand why my peers were confused about the reputation it had achieved.  I’m not the kind of person that finds Horror films particularly scary anyway, but I had expected The Exorcist to be an exception.  It wasn’t.  In this respect, the length of time that had passed since its original release did seem to have had an impact.  Horror films throughout the 90’s had a tendency to reject the kind of subtle psychological techniques used in the 60’s and 70’s in favour of ‘jump scares’ and ‘gore effects’.  Therefore, that is what any teenager going to see a Horror movie at this time would be expecting.  That’s not what they got with The Exorcist.  There’s hardly any ‘gore’ and it is almost entirely void of ‘jump scares’.  In addition to this, much of imagery was much less shocking in the 90’s than I suspect it would have been to a 70’s audience.  With these considerations in mind I can understand many of my peer’s sense of disappointment – in this respect it had not lived up to the hype.  However, as much I wasn’t scared in the cinema, I loved it.  I found it absorbing in a way that few films had been and was surprised by the skilful way in which it created an atmosphere.  The deep layers of meaning hidden within the imagery and narrative demanded repeated viewing.  It is a deeply unsettling film and I found that it stayed with me (as the book had) long after I’d left the cinema; something that did not happen with contemporary horror films such as ‘I Know What You Did Last Summer’ (which is instantly forgettable).  While it wasn’t what the hype had lead me to believe it would be, The Exorcist, as a film, had aged very well indeed.

After a period of about 10 years, where I watched it quite a lot, I spent a further 10 years without seeing it at all.  That is, until a few months ago, when I heard Mark Kermode (film critic and Exorcist expert/ super-fanboy) discussing it on the radio.  With some trepidation – I feared that it really might have aged badly by now – I sought out a copy and sat down to watch it again.  I needn’t have worried, it stands up incredibly well & I enjoyed it just as much (if not more) than I had before.  More importantly for this blog however, I also realised that it related, both stylistically and narratively, to the Middle Way.

Watching The Exorcist is a physical experience.  I know that watching any film can be described as a physical experience, we are embodied beings after all, but The Exorcist goes further.  You can feel the cold of Regan’s bedroom.  You can smell her necrotic breath as she lies, unconscious on the bed.  I don’t understand what cinematic tricks are used to create this effect but I suspect that it has as much to do with the sound as it has with visuals.  The ambient sound is hypnotic and the groaning rasp that accompanies Regan’s breathing creates a powerful and absorbing effect.  There are other scenes where the combination of visuals and sound work together to create the experience of embodied physicality, such as when Regan is made to undergo a range of intimidating and painful medical tests.

On the surface, The Exorcist is a fairly standard tale of good versus evil; light overcoming darkness.  During the first scene – where an elderly Jesuit priest, Father Merrin, is seen attending the archaeological excavation of an ancient Assyrian site in northern Iraq – the contrast between quiet contemplation and loud commotion is jarring.  While the scene is set within the suffocating glare of the desert sun, it is also pierced with dark imagery.  It’s within this context that we finally see an increasingly disturbed Merrin wearily, but defiantly, facing a statue of the Assyrian demon Pazuzu.  It is no coincidence that this scene brings vividly to mind the Temptation on the Mount, where Jesus overcame Satan’s attempts to divert him from his holy path to righteousness.  I’m sure that this premonition of the battle to come, is constructed and representative of several Jungian archetypes, but I’m not familiar enough to identify them all.  However, I’m confident that there’s the Hero, the Shadow, God and the Devil; the latter two also being representations of two metaphysical extremes: absolute good and absolute evil.  The key point however is that Father Merrin is not God (or even Jesus) and the statue is not the Devil (or even Pazuzu), they are both the imperfect embodiments each.

Understandably perturbed by her daughters increasingly disturbing behaviour, Regan’s mother seeks the help of neurologists and then physiatrists.  Both fail to identify a cause and both fail to succeed in their interventions.  Eventually, the perplexed psychiatrists suggest that Regan’s exasperated mother enlist the services of a priest, to which she reluctantly agrees.

The priest that she finds is a man called Father Damian Karras.  Karras is unlike Merrin, whose background is not really explored, in that he is clearly a conflicted and complex character.  We see him caring for his elderly mother, when no one else seems willing to, and we also see him, dressed in his Jesuit regalia, turn away from a homeless man who asks for his help.  Karras, then, is not a bad person, but neither is he that good.  The viewer is left to wonder the nature of this priest’s faith.  When we add to this the fact that he is a scientist (psychiatrist) as well as a priest, we start to see the depiction of a complex, multifaceted individual who struggles, in all aspects of his life, through the messy middle in which we all exist.

Karras, who is not qualified to perform the Exorcism ritual, convinces the Church of Regan’s need and Father Merrin is subsequently called upon.  The moment when he arrives at the house and looks up at the room which contains the possessed girl is inspired by The Empire of Light, a series of pictures painted by René Magritte in 1953-4.  As with the opening sequence, we are shown our archetypes juxtaposed in preparation for battle; this striking image was also used as the now famous promotional poster (which I used to have on my bedroom wall).  The clichéd battle between good and evil begins.  Except it doesn’t… not really.  Like the statue of Pazuzu, Regan is not an absolute representation of evil; she has been embodied by evil but is not the embodiment of it – she’s a 12-year-old girl.  Father Merrin is not the embodiment of good, he is just a representative of Christ (and therefore God).  This is made explicitly clear (if it wasn’t already) in an extended scene where the two priests desperately shout, ‘the power of Christ compels you, the power of Christ compels you’ over and over while throwing Holy water on the levitating girl.  A lesser film would have Merrin eventually defeat the demon and save the girl, but this is not what happens.  The elderly Exorcist dies during the gruelling exchange and Karras is left facing the demon alone.  Again, a lesser film would have Karras take up the role of Exorcist and overcome the evil force against all odds.  This is not what happens.  Religion, like science before it has failed and Karras appears to be in a hopeless predicament.  In the heat of the moment he takes the only course of action that he feels is available to him; he grabs Regan and shouts at the demon, ‘take me, take me’.  The demon gladly obliges and, a now possessed, Karras – who already exists somewhere between good and evil – is able to throw himself out of Regan’s window, where upon hitting the ground he falls down a flight of steep stairs, where he dies, presumably taking the demon with him and leaving Regan to make a full recovery.

Science, religion and the explicitly archetypal forces of good have not triumphed over evil and, in this muddled mess, appeals to authority do not always provide the promised solutions.  Instead our Middle Way hero, who’s able to hold onto his beliefs lightly, is left to address challenging conditions as they arise.  The solution he finds, I would like to suggest, seems remarkably like an extreme example of the ‘two donkeys’ analogy that is a favourite of this society.  By integrating competing desires, he is able to overcome conflict, albeit at great cost to himself.

 

A Hurricane of Paranoia

Climate Change, Middle Way Philosophy, Politics, Psychology, Religion, Science,

Is there any end to the flow of paranoid conspiracy theories seeded in the internet ocean? Like hurricanes, they seem to proceed implacably, one after the other. Not only do we have the illuminati, the reptilians, the 9/11 conspiracy theories, and the revival of flat earth beliefs, but more recent theories seem to suggest that almost no action is so bad that it can’t be attributed to the mysterious ‘deep state’. There were some who alleged that the Sandy Hook shootings were a set up, and now – before the hurricane has even struck the coast of Florida, there are those who allege that the hurricane itself is the creation of the all-manipulating authorities. What distresses me about the rising tide of conspiracy theory is the way in which closed loops of confirmation bias are increasingly fed by the ‘echo chamber’ effect of social media, aided by the widespread lack of the kind of critical thinking skills required to challenge them. The effects feed not only disinformation, but quite unnecessary social and political conflict. Just when everyone needs to be on the same side, dealing with enormously traumatic events, they end up undermining the whole basis of experiential judgement on which common humanity could develop. Although as I write, Hurricane Irma has not yet hit Florida, the consequences of a section of the population seriously believing that it’s all been set up by the US government can hardly seem anything but deeply insulting to those who will shortly doubtless risk (and possibly lose) their lives to save others, in the service of the very same public authorities who are being blamed for the disaster by these conspiracy theorists.

In many ways, a conspiracy theory is no different from any other absolute belief. Those in the grip of an absolute belief do not weigh up the evidence and select the most likely explanation for it: rather they select evidence that fits the beliefs that obsessive desire or anxiety are urging on them, and ignore or dismiss all alternatives. In this respect conspiracy theorists are no different from medieval dogmatists – they just have access to better communications technology. They trade on uncertainty, pointing out that there is no way of disproving their belief, but completely ignore that the same point applies to a wide range of other possible competing beliefs that can also not be disproved. Unrealistically expecting disproof, they remain attached to their conspiracy theory in its absence, but can only do so because the comparison of probabilities simply does not figure in their thinking. Any challenge to the theory is likely to be seen as under the deluded spell of the all-powerful conspiracy that otherwise rules the world. By maintaining and spreading such beliefs, too, social capital is earned by gaining prominence in the in-group, whilst to seriously question their basis is to risk that status and thus risk rejection by that group.

Those who attempt to offer ‘facts’ to refute conspiracy theories merely feed them by providing more of the same absolute language. The whole context in which they exist is one of dualistic opposition, so that the direct opposing of one ‘fact’ by another reinforces defensiveness. It is only by becoming reflectively more aware of the limitations of our knowledge, as well as positively confident in justified belief, that we can start to disentangle the kind of thinking that fuels conspiracy theories. By holding off from claims about ‘truth’ and ‘falsehood’, but nevertheless investigating justification, we would be practising the Middle Way.

The belief that Hurricane Irma is created by the US government, like most other conspiracy theories, involves a weight of assumptions that make it vastly improbable when you start to consider those assumptions. The video that I linked above merely argues that there is a record of the US government researching and testing weather manipulation in the past, but gives no evidence at all that weather manipulation on the scale that would be required to either create or stop a hurricane is or ever will be possible. Even if it was, a large number of people would have to be in on the plot, and the government would have to have some kind of motive for doing it (the video falls into its nadir of incoherence when trying to explain why on earth the US government would want to engineer Hurricane Irma). But, of course, mere improbability and weight of assumption does not figure at all for a conspiracy theorist. The shadowy authorities are powerful enough – so they can do anything, it seems.

The role that these shadowy authorities play (the ‘deep state’, the ‘liberal establishment’ and its ‘fake news media’, the Communists, the Reptilians etc.) is very similar to that played by God in medieval times. The vaguer the actor the better, so that any inconvenient new developments can be readily attributed to it . It’s not necessary to offer any allegations about who exactly did what, since a vague suspicion is actually more powerful in inducing this kind of absolute belief. This shadowy authority is also, in Jungian terms, a projected archetype: an open potential that we have for power in ourselves is attributed to something beyond us.

But for those watching the video offering ‘proof’ of such a conspiracy theory, these considerations are unlikely to figure. In order to maintain critical awareness, the alternatives need to be available to you whilst you are watching such a video, or at least immediately afterwards. That for many people they obviously are not seems to be more than anything due to gaping holes in our education systems, which still leave many people without any practice in exercising that critical awareness. All the rest of us can do, I think, is try to support others in thinking things through, whilst trying to avoid simply inducing a dismissive reaction through too direct a challenge. Together with that, we can positively acknowledge the archetypes in us, not out there, and positively investigate the complexity of causation in an event like a hurricane, which may be our fault in some respects (looking at the wider context of climate change) but not in others. As the hurricane heads across the straits, my thoughts are with the people it is about to strike. For their sake, if for nobody else’s, please do not uncritically share conspiracy-mongering!

Picture: Hurricanes Irma and Jose on 6th Sept 2017, NASA (public domain)

Nationalism and Patriotism

Middle Way Philosophy, Politics, Psychology,

[The following is an adapted chapter from Middle Way Philosophy 4: The Integration of Belief. It’s of special relevance given recent political events!]

Nationalism is an ideological commitment often, but not always, associated with conservatism. However, the fact that it can take liberal or socialist forms (as under the recent leadership of Alex Salmond in Scotland, or the anti-colonialist left wing leadership of such figures as Julius Nyerere in Tanzania) shows that it is worthy of separate treatment rather than being treated only as an aspect of conservatism. It could also be argued that most politicians add a seasoning of nationalism to their other ideologies – one that needs a separate critical perspective. For example, there are few politicians who will not appeal to ‘national interest’ to justify a stance in international negotiations, apparently without embarrassment.

Nationalism focuses specifically on one kind of value foundation of the six identified by Jonathan Haidt: that of loyalty. Loyalty to one’s country is predominantly loyalty to one’s compatriots and to the cultural (or perhaps linguistic and religious) traditions of that country, but also perhaps loyalty to that patch of the earth itself. Such loyalty clearly has a rooted basis in our moral experience, and in its benign, non-exclusive and non-ideological form may be defined as patriotism. I would suggest that patriotism involves an embodied sense of one’s relation to a particular ancestry, ethnicity, environment, language and culture, to deny which would be as fruitless as denying our bodies. Those who assume, explicitly or implicitly, that they are neutral in these respects must be deluded, for there is nobody with a body, for example, who can label other people ‘ethnic’ whilst they are not, or assume that their regional or class-specific language is the default and other people speak ‘dialects’.

For my own part, then, I try to acknowledge that I am an Englishman. What’s more, I’m a middle class educated Englishman subject to a particular set of cultural assumptions that go with that background. Although my culture and language are increasingly part of a globalised norm that tends to assume itself to be the default, these norms are actually very specific in their origins. Standard British English, which I use when writing, is just the one of many dialects of English that happens to have become dominant, but if you were hearing me speaking instead of reading, my delivery would be more obviously influenced by my physical state, background and environment, for example including a mildly northern English pronunciation. My geographical environment – that of an ecologically robust, damp, maritime, temperate, fertile, and heavily populated corner of Europe – is also only one of many specific geographical environments that help to form people’s cultural responses and assumptions, not some sort of default normality. I love the landscape and cultural heritage of England and embrace that specificity.

However, nationalism as normally understood, though made meaningful by this embodied patriotism, contains an additional absolute or metaphysical element: a belief in the absolute identity and value of the nation-state. Since belief in the nation-state means belief in the absoluteness of a set of boundaries and the value of what lies within those boundaries, it is a form of metaphysical field-belief (a belief about absolute boundaries). Such field-beliefs are in no way a necessary accompaniment of patriotism, for I can love my country without believing either that it should necessarily have particular boundaries or political organisation, or that the value of its assumed interests overrides other values. I could continue to love England, for example, whether it became part of a European superstate or whether it was divided up into micro-states, and even if the interests of its inhabitants in maintaining a particular level of wealth or land ownership needed to be greatly compromised to share that wealth or land with newcomers.

Such metaphysical field beliefs can be spotted as absolute assumptions that are required to reach particular policy judgements. For example, the belief that ‘national interests’ override the interests of those in other countries assumes an absolute rather than incremental distinction between the interests of those in one nation and those in another. This results, for example, in conflicts over resources or in immigration restrictions. If we compare these assumptions about national interests with those of an individual, they are equivalent to ‘self-interest’ – that is, a frozen representation of a self and its desires that is identified with at a particular time. Not only do the inhabitants of a country not necessarily identify with the particular boundaries and interests its government represents on its behalf, but it may actively prefer foreign ones, just as individuals may identify with others rather than themselves. The problem is thus not that nation-states, like individuals, have particular desires so much as that the represented context of those desires is assumed to be absolute and eternal. Nor is the problem with boundaries as such: nations need boundaries as a basis of action, just as individuals do, but those boundaries do not have to be absolutised. Boundaries on a political map, like those in language, can be provisional, accepted for practical reasons in the ongoing recognition that those reasons may change.

Though nationalism can be defined by this absolutised loyalty, it may also incorporate a range of other values depending on the circumstances. If a part of an existing nation-state demands independence, the emphasis is likely to be on liberty. If one nation is oppressed by another, the emphasis will be on fairness. If compatriots are suffering, the emphasis may be on care. If the nation has a clear leader such as a monarch, the authority of that leader is likely to be closely tied to loyalty to the nation. If the nation is closely associated with a specific religion, notions of sanctity are also likely to play a part. However, in each of these cases it would also be possible to detach the other value from the nationalistic beliefs. For example, in the recent referendum in Scotland on independence (2014), values of liberty and fairness were important for many Scots who voted ‘yes’ to independence, and who felt oppressed by the rule of Conservatives from London that they had not elected; but it would be possible to protest against this constraint and unfairness without tying it to the concept of Scottish nationhood.

The metaphysical elements of nationalism become even more pronounced in its extreme form as Fascism. Fascism not only maintains absolute field-beliefs in the nation, but also in the race that inhabits that nation. The difficulties of creating and maintaining an absolute division between a pure in-race and an inferior out-race became rather ludicrously apparent in Nazi Germany, where the stereotype of the pure Aryan did not fit Hitler himself very well, and Nazi men who were sexually attracted by Jewish women resorted to accusing them of using black magic to bewitch them rather than admitting their compatible humanity. Ideas of sanctity also tend to get embroiled in those of racial purity, with whatever lies beyond the zone of racial purity arousing disgust. Fascism also relies on the absolute authority of a leader in a way that supports totalitarianism.

Nationalism can be distinguished from most other political ideologies  in its central reliance on specific metaphysical beliefs, rather than on value foundations that may or may not be absolutised (such as the care and fairness that are central to socialism). This means that there are also counter-beliefs to nationalism that deny these beliefs, such as internationalism and cosmopolitanism, which deny national boundaries or deny the exclusivity of value involved in national interests. Like most metaphysical denials, these are mistaken if they simply assert the opposite, in this case that national boundaries have no justification at all or that the desires of national groups have no value. Internationalism becomes metaphysical when it denies patriotism and the experience of loyalty when rebounding from the dogmas of nationalism. Our international sympathies can become gradually extended in a way that is integrated from an embodied starting point, but this process can be blocked rather than aided by a discontinuous leap to a wholly international perspective.

Internationalism thus offers a false middle way between the extremes of conflicting national absolutes, when it is instead patriotism that offers an experience of loyalty to country as a value foundation in experience. One’s patriotism might potentially expand to include a positive identification with all other nations, but I do not need to have necessarily experienced all other nations and find them meaningful to adopt a Middle Way response to my own. Genuine internationalism thus needs to develop from the roots of a non-exclusive identification with one’s own country, and the confusion or repression of such roots is more likely to result in shallow nationalism than in genuine internationalism – just as the denial of one’s individual desires does not create the conditions for loving others.

Of related interest: Cosmopolitanism

Picture: Medal ceremony from the 1984 Olympics (Creative Commons: Wikimedia Commons)

Jung and Nazism

Books, Great Thinkers, History, Jung, Politics,

In the aftermath of World War 2 and since, controversy has raged about Carl Jung’s attitude to Nazism, with some condemning him as a Nazi sympathiser, and others defending him in the strongest terms. After reading Deirdre Bair’s detailed biography of Jung, and following up my recent post (and as yet unpublished book) on Jung and the Middle Way, it seems increasingly clear to me that this is a classic case of a messy Middle Way strategy being misunderstood by polarised interpreters on both sides.

Jung was a citizen of Switzerland, which remained neutral throughout the Second World War. However, throughout the 1930’s he remained the president of an international psychoanalytic society that was based in, and dominated by, Germany. From the time of the rise of Hitler in 1933 this society was subject to Gleichgeschaltung, the regulations by which the Nazi government ensured conformity to Nazi values in organisations of civil society. In many ways Jung was a convenient tool for the Nazis, as they were able to use him as a source of credibility for their gleichgeschaltet version of psychoanalysis, purified of what they considered the corrupting Jewish influence of Freud with his decadent emphasis on sexuality. Although there was ambiguity in this position, because the society was formally international, the Nazis were able to manipulate that ambiguity, and he was only finally able to resign from this presidency in 1940.

It is this involvement, together with a number of incautious public statements about the psychology of races and nationalities (some of which generalised about Jewish psychology as distinct from other races) that form the basis of a case against Jung that has been raised on a number of occasions by his detractors, and even led to one (not very realistic) proposal that he be prosecuted at the Nuremberg war crime tribunals. For his critics, any compromise with Nazism or involvement in Nazi-dominated organisations makes Jung a Nazi sympathiser, and any generalisations about the psychology of Jews make him anti-Semitic.

However, Jung’s position was highly ambiguous. On his own account, his motive in remaining involved with the Nazi-dominated society was to maintain the position of psychoanalysis and to help Jewish psychoanalysts. If he had tried to take a position of purity and refused to be involved, he would have lost the possible opportunity to help psychoanalysis survive in Nazi Germany, and the opportunity to help maintain the status of persecuted Jewish psychoanalysts. After 1940, with the cohesion of the international society destroyed and Freud having fled to England, it is fairly clear that he recognised such hopes as naïve. However, he did manage one substantial achievement, which was to employ an (ironically Jewish) lawyer called Rosenbaum to introduce lots of loopholes into the anti-Semitic regulations being introduced to the society by the Matthias Goering (cousin of the more famous Goering) – who effectively developed political control over it.

As in many such highly charged and polarised political contexts, there is plenty of evidence that can be seized upon and interpreted one way, and also plenty of evidence the other way. Any case thus becomes overwhelmingly a product of confirmation bias. There is also plenty of scope for hindsight bias if we assume that the attitude Jung took to Nazism earlier in the 1930’s should have been based on their later actions – but nobody knew the full horrors to come. Highly unscientific generalisations about the psychology of races were also common currency at the time.

Later in the war, Jung also became involved in support of a plot to get Hitler overthrown, effectively providing advice about Nazi psychology to a US secret service operative working in Switzerland, as well as psychoanalytic support to a close friend who was more directly involved, both of whom were working in support of a German officer involved in a plot to overthrow Hitler. Jung’s support for anti-Nazi activities may have even gone further than this. Allen W. Dulles, the US agent mentioned, is quoted by Bair as saying “Nobody will probably ever know how much Professor Jung contributed to the Allied Cause during the war, by seeing people who were connected somehow with the other side.” Dulles went on to decline to give further detail on the grounds that most of the information was classified.

What makes me think that Jung was attempting to practise the Middle Way in any sense in this complex and ongoing situation? Partly my reading of the Red Book, which mentions the Middle Way explicitly, as I have discussed elsewhere. Partly, however, it also seems the best way of making sense of Jung’s actions. He was not ideologically motivated, though he could often be accused of political naivete. He saw the justification of one action or another in the situation, even when that situation was one dominated by Nazism, rather than solely in the terms of an ideal situation in which Nazism was not dominant. His moral values were those of individuation (as he usually called it) or what I would tend to call integration, the actual practice of which depends on the quality of judgements rather than any pre-formed general rules about the objects of those judgements.

His involvement was thus deeply messy, and he obviously left himself vulnerable to blame from both sides. It was not Nazi or Anti-Semitic, but neither was it Anti-Nazi in a way that would have made his activities less effective at the time by seeking purity from Nazism. However, it does also seem that he could have followed this path more effectively than he did: by developing more politically awareness, by seeking clearer evidence than he had before making racial generalisations, and by making the Middle Way a more explicit basis of action so as to reduce the chances of being misunderstood. Like the rest of us, however, Jung had limited knowledge, limited abilities and limited understanding with which to work, and the path of the Middle Way only requires reconciliation and adaptation to these conditions, not an unrealistic expectation of transcending them, as a basis for responsibility.

I can even find some inspiration in the way that Jung handled this difficult series of situations, not despite, but because of the many human failings that his biography has made me all too aware of. Would I, or any of us, have done better? Adopting the principle of charity seems to be the first requirement for reading the situation – a principle that allows us to appreciate the strength of messy achievement without idealising it.